O/S Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the entire image in O/S functions as an optical soundtrack. Abstract motion becomes sound. What you hear is what you see.
AWARDS - Oishi Tatsuya Special Jury Award, New Chitose Airport International Animation Festival, Japan, 2024 - Special Mention, Videomedeja Festival, Serbia, 2024 - Optical Sound Award, Flatpack Festival, UK, 2024 - First Prize, Punto y Raya Festival, Portugal, 2023 SCREENINGS AND EXHIBITIONS - 21st Tindirindis International Animation Film Festival, Vilnius, Lithuania, 25 Nov - 1 Dec 2024 (Competition) - CutOut Fest International Animation and Digital Art Festival, Queretaro, Mexico, 21-24 Nov 2024 - KLEX - Kuala Lumpur Experimental Moving Images & Music Festival, Malaysia, 28 Nov - 1 Dec 2024 - Feinaki Beijing Animation Week, Beijing, China, 15-18 Nov 2024 (Short Film Competition) - PÖFF Shorts (Black Nights Film Festival), Tallinn, Estonia, 8-20 Nov 2024 (Animation Competition) - Pixel Vienna Animation Festival, Vienna, Austria, Thu 7 Nov 2024 - 36th Girona Film Festival, Girona, Spain, 4-8 Nov 2024 (Official Competition) - 11th New Chitose Airport International Animation Festival, New Chitose Airport, Hokkaido, Japan, 1-5 Nov 2024 (International Competition) - Light Matter Film Festival, Alfred, New York, USA, 1-3 Nov 2024 - Fredrikstad Animation Festival, Fredrikstad, Norway, 24-27 Oct 2024 (International Competition) - Kinomural, Wroclaw, Poland, 19-20 Oct 2024 - 28th International New Media Art Festival VIDEOMEDEJA, Novi Sad, Serbia, 10-12 Oct 2024 - 19th Simultan Festival, Timisoara, Romania, 3-6 Oct 2024 - Animatou Festival, Geneva, Switzerland, 3-12 Oct 2024 (Experimental Animated Shorts Competition) - Facade Video Festival, Plovdiv, Bulgaria, 27-29 Sep 2024 - Resonance Sound Art and New Music Film Festival, Grosso Modo Gallery, Tel Aviv, Israel, 26-28 Sep 2024 - Ningen International Animation Film Open Air Festival, Belgrade, Serbia, 21-22 Sep 2024 - Les Nuits des Bassins, Arras, France, 20-21 Sep 2024 (Best of Punto y Raya Festival) - 20th World Festival of Animated Film, Varna, Bulgaria, 14 Sep 2024 (Best of Punto y Raya Festival) - T-Short Animated Film Festival, Karlsruhe, Germany, 13-15 Sep 2024 (Official Competition) - 9th Digerati Emergent Media Festival, Denver, USA, 12-22 Sep 2024 - Viborg Animation Festival, Viborg, Denmark, 9-15 Sep 2024 - LINOLEUM Animation Festival, Kyiv, Ukraine, 4-8 Sep 2024 (Experimental Animation and Video Art) - 21114 Film Fest, Novi Sad, Serbia, 29 Aug - 1 Sep 2024 - Turku Animated Film Festival, Turku, Finland, 21-25 Aug 2024 (International Competition) - Hiroshima Animation Season, Hiroshima, Japan, 14-18 Aug 2024 (Visual Poetry competition) - Flipbook Film Festival, Skopje, Macedonia, 8-11 Aug 2024 (Official Competition) - 7th Octopus Film Festival, Gdansk, Poland, 6-11 Aug 2024 (International Competition) - Animaphix Festival, Bagheria, Sicily, Italy, 23-28 Jul 2024 (Experimental Competition) - 11th Insomnia International Open-Air Animation Film Festival, Kaluga oblast, Russia, 17-22 Jul 2024 (International Competition) - 15th Anibar International Animation Festival, Peja, Kosovo, 15-21 Jul 2024 (Experimental Programme) - 17th Animator Festival, Poznan, Poland, 25-30 Jun 2024 (International Short Competition + Best of Punto y Raya Festival) - Waking Life Festival, Crato, Portugal, 20 Jun 2024 (Best of Punto y Raya Festival) - Annecy Festival, Annecy, France, 9-15 Jun 2024 (Animation Off-Limits Competition) - Walthamstow International Film Festival, London, UK, 9 Jun 2024 - 20th Athens Digital Arts Festival, Athens, Greece, 15-26 May 2024 - Flatpack Festival, Birmingham, UK, 10-19 May 2024 ("Optical Sound" Programme) - Anifilm Festival, Liberec, Czech Republic, 7-12 May 2024 (Abstract and Non-Narrative Animation Competition) - 36th Filmfest Dresden International Short Film Festival, Dresden, Germany, 16-21 Apr 2024 ("Experiments") - Kaboom Animation Festival, Utrecht and Amsterdam, Netherlands, 5-14 Apr 2024 - Brighton International Animation Festival, Brighton, UK, 5-7 April 2024 - 47th Internationale Grenzland-Filmtage, Selb, Germany, 4-7 Apr 2024 - Experimental Brasil, Rio De Janeiro, Brazil, 31 Mar 2024 (Finalist - Experimental Abstraction) - Videoformes Festival, Clermont-Ferrand, France, 14-31 Mar 2024 - Anatolia International Film Festival, Istanbul, Turkey, 14 Mar 2024 - 23rd MONSTRA Lisbon Animation Festival, Lisbon, Portugal, 7-17 Mar 2024 - 13th Tehran International Animation Festival, Tehran, Iran, 3-7 Mar 2024 - 29th ifva Awards, Hong Kong Arts Centre, Hong Kong, 24 Feb - 17 Mar 2024 (Finalist – Animation) - Paris International Animation Film Festival, Paris, France, 16-21 Jan 2024 - ZumZeig Art House Cinema, Barcelona, Spain, Tue 19 Dec 2023 (Best of Punto y Raya Festival 2023) - Relentless Melt No. 31: Abstract and Experimental Animation from Hong Kong, Close-Up Cinema, London, Thu 7 Dec 2023, 20:15 (screening curated and presented by Max Hattler + Q&A with Dr Paul Taberham) - Relentless Melt No. 30: Vertical Abstractions, Clockenflap Festival, Hong Kong, 1-3 Dec 2023 (programme of experimental animation co-curated by Max Hattler and Jay Hofmann-Forster) - Relentless Melt No. 29: Animated Abstractions from Hong Kong, University for the Creative Arts, Farnham, UK, Wed 29 Nov 2023, 14:00 (screening curated and presented by Max Hattler, hosted by Animation Research Centre and Prof Birgitta Hosea) - Anilogue International Animation Festival, Budapest, Hungary, 28 Nov - 3 Dec 2023 - London International Animation Festival, London, UK, 24 Nov – 3 Dec 2023 - Punto y Raya Festival, Lisbon, Portugal, 11-15 Oct 2023	CREDITS Director & Producer: Max HATTLER Lead Animator & Sound: ZHANG Riwen Animation & Sound: CHAN Hattie, Marvin HAUCK, HU Xiaozhi, LAU Tatia Pui Wan, LU Yujie, NG Chit, WANG Xiaobu, ZHANG Xiaoyu Sonification Advisor & Effects: Sune PETERSEN Country: Hong Kong, Germany Available formats: UHD, 1080p HD, DCP Frame rate: 24 Length: 5'00" Year: 2023 WHAT OTHERS HAVE SAID "The award goes to a film that follows experimental moving image tradition, whilst also bringing something new and fresh. Perfectly paired. A coherent piece." Jury Statement by Sam Groves, Aneta Ozorek, Adriana Prodeus, Sandra Cristina Ramos and Luis Tinoco, First Jury Prize, Punto y Raya Festival, 2023 "For O/S being a well crafted and truly contemporary take on the original ideas of absolute film tradition, creating a convincing purely audio visual piece where image and sound stands together as equal non-subordinate parts and as such fulfilling exactly the meaning of the category of Optical Sound Short film." Jury Statement by Jan Kulka, Optical Sound Award, Flatpack Festival, 2024 "O/S by Max Hattler receives a Special Mention for its innovative approach, blending visual and auditory experiences into a unified form. Inspired by 20th-century avant-garde graphical sound experiments, the film transforms abstract motion into sound, making the image itself an optical soundtrack. This seamless synchronization between sight and sound exemplifies cutting-edge creativity, offering a captivating sensory experience where what you hear is precisely what you see." Jury Statement by Nina Jeza, Maurizio Marco Tozzi and Goran Despotovski, 28th Videomedeja Festival, 2024 "... after much difficult deliberation, I made my jury prize selection by going with my gut and choosing my personal favorite; a work that was cool, stylish and simple in its composition. I loved it. It was my kind of world completely, and I wanted to remain in its flood of light forever." Jury Statement by Oishi Tatsuya, New Chitose Airport International Animation Festival, 2024 "O/S is an abstract animation in the tradition of early pioneers of abstract electronic animation such as John Whitney or Larry Cuba. Its visual elements are kept to a minimum; black and white dots and lines. Nevertheless, it is an exciting, well- edited, clean, and strong artistic animation." Juror's Comment by Tamas Waliczky, Finalist - Animation Category, 29th ifva Awards, 2024 "Among a number of sound-focused exercises in Off-Limits program, this work for me stands out as arguably the most radical and self-consistent. Departing unreservedly from early avant-garde experimentation with optical sound, Hattler (apparently, with his Hong Kong team of students and collaborators, as usual) attempts to take that from the frames’ margins to the centerpiece, as if striving to synthesize anew a sort of audio-visual universum of digital era. “Abstract motion becomes sound. What you hear is exactly what you see” – he claims. Have to take it on trust. In any case, if not exactly pleasing music to your ears, it’s arresting enough. But also is dizzyingly mesmerizing the sheer ballet of those hissing lines, their dynamic geometry– somehow rhyming with weirdish geometric poetry in action of the cityscapes in his earlier films." Mikhail Gurevich, Annecy Festival 2024: The Best Animation Shorts, Zippy Frames, 2024
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